My tree is more than 26 feet in circumference. About 20 feet away is one that is 12 feet around. Between the two is one window. This photo taken from my back deck.
I’m thinking of getting the solar-powered computer (backup, backup, backup) out of the closet because I am tired of rechargeable batteries that last 5 minutes.
Tried to look up this book, still trying. No cooperation from Amazon’s built-in camera. It would have been convenient. A la Doris Day, “Que Sera, Sera …”
The doors, not the door, Mr. Beckett. I cannot see the border between my world and yours.
I’m trying to review a book, and Amazon won’t let me do it. So be it. The title is in Japanese. I bought it at the Strand. Must reduce file size, thank Shinto gods for Apple.
Utagawa Kunisada, Ya, The Iroha Alphabet, mid-nineteenth century, with subject Ichikawa Danjuro VIII getting his hair combed, kabuki play
Kunisada went above and beyond the call of the drum when he designed this print. It’s one of those times that I heard the syllable in my head when I saw the print. Now I must find out more. I’ve seen it before, but I was waiting to find this one with nearly pristine color and no trimmed edges.
Now the fun begins as I research the play, the date, etc. It must have been a popular print (the Utagawa School rules with most surviving Japanese prints). My Lithuanian grandmother studied English speaking and writing until the day she died. She’d write a letter to a friend, and mail it to me in Iowa. Then I’d correct it and mail it back to her in South Dakota. Grandmother then recopied the letter and mailed it to her friends. That is respect for education and how generations spin in a wheel of worlds.
Japanese Ukiyo-e Nishiki-e Woodblock Print Kawanabe Kyosai, Ichikawa Sansho
This print has a happy new year vibe about it. When we are all busy preparing for 2020, I will take a moment to admire the gourd and his friends before buying the oranges.
As a young child, I believed that I was Japanese. Perhaps it’s explained by my father’s black hair, narrow dark eyes and face that looked like the Japanese people in art books. The first books I remember: The Golden Bough and a Thomas Crown giant art compilation. My father brought home many adult art books instead of children’s books to me as a toddler. That’s why I love Japanese prints like this one from 1815 of a Lion Dance by Toyokuni I. It shimmers, too with mica sprinkles subtly on the background.
I taught myself to read, too. And I shunned children’s books. Like Groucho, I didn’t want to be a member of a club that would accept me.
My first school finger painting began with a cloud of pink on beige manila paper. I dotted fingertip detail on top of the pink with whorls and loops of white that mixed into the pale pink color that I wanted to denote blossoms. Blowing a dollop of dark brown at the bottom of the paper upward with a paper straw grew the trunk and gnarled branches. As I finished I felt a thrill at having created a Japanese cherry blossom tree. Indignant that my teacher and fellow students didn’t know what I was talking about, I took it home only to find my mother ignorant, also. I fiercely felt that I knew the value of this tree and too bad for everyone else.
Later I found out that Dad had Cherokee blood, not Japanese. He and I shared art knowledge. My younger brothers would complain, “Pen got all the Indian blood.”
My father, an actor and professor of speech and theater, did understand my cherry blossom tree. He took my tree art to the college to show his scene design students, saying “This is how you draw a tree.” Then he told the story to all his friends when they visited, year after year. Now this is a family legend.
Happy New Year. Winter cherry blossoms bloom. Father knows best.
Talk about a throwback Thursday: How’s this for my favorite artist? A persistence of vision for the king of beast’s mission — following the actor’s career.